Production / CONTENT Amplification / Scaled Delivery

Jack
Gennuso

Skills

Advanced Adobe Proficiency
Production Precision
Design Versatility
Efficiency & Communication

InterestS

Analog Photography
BMW Gearhead
Second Hand Shops

Objectives

be an agent of design

Over the past eight years I’ve owned end-to-end production for major entertainment and consumer brands. At Omnicom Production I lead Sony Interactive Entertainment campaigns, managing static, animated, and motion assets across key platforms while coordinating global teams in the UK, New York, LA, India, and beyond. Earlier at The Designory I directed high-volume localization for Sony and Amazon Music, building JavaScript-templated workflows in Photoshop that handled 35+ languages and dramatically improved speed and consistency.My strength is blending hands-on creative execution with operational excellence. I thrive at the intersection of design, process, and scale; managing multi-million-dollar budgets, mentoring teams across continents, and implementing automation and AI tools that let creatives move faster without losing quality. I’m a systems thinker who loves making complex work feel simple and repeatable.

California native and lifelong gaming enthusiast, I’m obsessed with how technology, storytelling, and performance creative come together. I’m currently open to senior creative producer, senior production designer, and creative operations leadership roles (remote or LA hybrid). Let’s connect if you’re building world-class campaigns that need both vision and velocity.

Experience

Omnicom Production, Senior Digital producer

January 2024 - Present

Managed end-to-end production of static and animated digital marketing assets (HTML5 banners, homepage takeovers) for high-visibility paid media campaigns, primarily Sony Interactive Entertainment, while supporting DirecTV, Kvenue, Enterprise, and SAP. Oversaw full project lifecycle: intake from executive producers, time/cost estimation using rate cards, kickoff meetings with agency producers and creative directors, task assignment to global teams (UK, New York, Los Angeles, India), and revision coordination through final client approvals across DV360, Meta, Instagram, Snapchat, TikTok, and DOOH platforms including Times Square. Served on the AI & Automation Committee under the Head of Studio; evaluated generative AI and automation platforms (Celtra, Rocketium, Figma, internal JavaScript solutions); authored case studies for executive leadership; supported tool implementation, process documentation, cross-team onboarding, and preparation for new business expansion.

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Designory (Omnicom), Senior Production Artist

October 2019 - December 2023

Over my time at Designory I worked on the following major accounts: Amazon, Sony Interactive Entertainment, 2K Games, LinkedIn, and HP. I was responsible for designing script driven Photoshop templates for the global localization of marketing campaign assets. As the lead production artist I had a team of local and international production artists that I coordinated with in the London, Chicago, New York and Mexico City to divide work and hit target deadlines.  Assets primarily consisted of IAB Banners with HTML5 animations and DOOH/OOH components as well as aspect ratio adaptations to bespoke dimensions. We also provided update-revision services on HP’s sell sheets, product catalogs, and internal presentations.

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Various Clients, Freelance Creative Designer & Producer

January 2016 - October 2019

From 2016 to 2019 I worked freelance as a Creative Designer & Producer, delivering creative production and design support for high-profile clients including Apple (TBWA/Media Arts Lab), VICE Media, Publicis Sapient, Jack Morton Worldwide, and Brand Sense Partners. I produced and designed keynotes, presentations, OOH, print, digital campaigns, and experiential activations, consistently maintaining pixel-perfect quality under tight deadlines in fast-paced agency environments. I collaborated directly with creative directors, account teams, and clients on brand identities, event marketing assets, and pitch materials for major accounts such as Netflix and I <3 NY. This period built a strong foundation in cross-functional collaboration, vendor coordination, and rapid concept-to-delivery execution that continues to support my work in scaled global production leadership today.

Education

Art Center College of Design, PASADENA

B.A. GRAPHIC DESIGN

UNIVERSITY OF SAN DIEGO, San Diego

B.A. ENGLISH LITERATURE

CLIENTS & ACCOUNTS

Sony Interactive Entertainment
UBER EATS
KENVUE
SAPIENT PUBLICIS
MEDIA ARTS LAB
VICE MEDIA
Xperi / DTS Inc.

Contact

Email: jack@vintagefuturist.com